Sunday, September 26, 2010

Who're the True Servants?

The servants cause the mischief in comedies it seems. Like in Twelfth Night, where Maria thought up a merry plan to cause things to go a little bit crazy, Antonio’s man and Borachio seem to be the catalysts for chaos this time around. The trouble starts with Antonio’s man. He overhears Claudio and the Prince discussing how Claudio has fallen for Hero…and takes it entirely the wrong way. The Prince has decided to approach Hero at the masked ball later on and pretend to be Claudio to hear of her feelings for him…but the servant seems to think it’s the Prince who has a think for Hero! Leonato then says he’ll have Hero have an answer ready for just in case…for the wrong man! It seems all matter of craziness can spring from this, it seems another case of who loves who. It’s another case of clothing making the man, considering the Prince is disguising himself and as we learned from Viola, no good can come of that in Shakespeare’s plays!

Borachio, on the other hand, hears the full story and knows it’s Claudio who likes Hero. He also knows that the Prince will be dressed up like him to get her feelings. He tells this to his lord Don John who, we learn, doesn’t like Claudio. As it turns out, Claudio was the one who kept John from over throwing his brother. “If I can cross him any way I bless myself every way.” He seems to have every intention of causing chaos for poor Claudio. And thus the stage is set for very wacky things happening, as they are wont to do in Shakespeare’s work.

And this is all just in Act one. Shakespeare shows his skill at setting the stage and immediately getting the reader, or the audience seeing as it is a play, sucked right in. This was of course necessary for the time when the people on the floor could be easily bored and walk out, or throw rotten food. It was always best to keep the action moving and keep them entertained, but I digress! The point is that…it seems the servants start all the mischief.

If it wasn’t for the two eavesdroppers, Borachio and Leonato’s man, could this possibly have happened? Most likely not. It may have all gone according to plan otherwise. The Prince may have simply learned of Hero’s feelings for Claudio and set them up to be married. But that wouldn’t be much of a comedy, would it? No, the chaos must insue and all chaos needs catalysts, for which servants provide a wonderful source of such. We see it in Midsummer’s Night Dream with the way Oberon sends Puck to use the potion and he botches it up. Its also seen in Midsummer with the way all the fighting between Oberon and Titania starts with a servant boy that they both want. We see it in Twelfth night with Cesario being Orsino’s servant, which starts all the chaos in that play. It is also seen there with Maria and the way she, along with Sir Toby and Andrew, tricks Malvolio. Servants are what starts all the fun in these comedies. It makes you wonder who are the true servants, and who are the true masters!

2 comments:

Elizabeth Y. said...

We can't forget Margaret either- after all, she was a catalyst in Don John's evil plan (even if not intentionally). And yes, there does seem to be a pattern of mischief-making servants in Shakespeare's comedies!

Cyrus Mulready said...

These are great points Steph--I wonder if you think that mischief making is just for fun, or is it subversive? Do these servants successfully challenge power structures as they twist up the plots?